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Cake day: June 8th, 2025

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  • Yep, exactly. Which is always why I take the side of the patient in these things.

    You won’t let my patient call in a day over a cold? Ok, well it’s a 10 day illness, how does a week off sound? You don’t want that much off? Ok, when’s your next scheduled day off: here’s a long weekend.

    My dude with chronic pain needs to be able to switch from sitting to standing as needed, can’t lift more than 10 lbs, needs to take unscheduled breaks as needed, can call out up to 3x/week, and can’t work more than 8 hours a day. Maybe you should have just gotten them the chair?

    People tend to underestimate what their actual limitations should be with their medical conditions, so I’m usually putting more restrictions than they actually ask for.


  • Everyone’s just telling you he sucks, but he was actually quite popular back in the day. I loved his music in high school but grew out of it as an adult.

    He was considered innovative in that he tried to bring rap and hip hop conventions into rock music: especially spoken work lyrics, sampling, collaborations, a distinct persona (“redneck pimp” - yes, really, etc.

    Spoken word by itself became a whole subgenre in the late 90s/early 2000s: Kid Rock and Limp Bizkit followed by POD, Linkin Park, Papa Roach, etc. This subgenre as a whole has aged rather poorly, with even the better bands like Linkin Park being a bit hard to listen to now IMO. However, spoken word sections have persisted in rock and this is perhaps his strongest influence.

    What really grew me out of his music was realizing that the stuff I liked was mainly stuff he’d sampled, and what I actually liked was the originals. For example, I liked American Badass until I heard Sad But True and realized he took a great song and made it mediocre.

    If you’re really interested, listen to Bawitaba and Cowboy as his two big hits. If you want to hear his sampling, Only God Knows Why, American Badass, and All Summer Long should all be recognizable. But again, he very much is a relic of a genre that itself has aged poorly, so don’t expect to actually enjoy it all that much.

    Actually, strike that, just watch the American Badass music video.

    It has:

    • Singing about how great he is and how many albums he’s sold
    • Sampling
    • Singing about Detroit
    • Pimp outfits
    • Women
    • Confederate flags
    • References to other rock musicians, by just listing a bunch of them
    • References to his other songs, mainly by just saying the title in his lyrics

    It’s basically the Kid Rockiest Kid Rock song.








  • That begs a larger conversation about what is and isn’t ok to say informally at work.

    Certainly “wheelchair” is not itself malicious and is less likely to be mistake prone than Seat 34a, especially if there’s only one patron in the room seated in a wheelchair. At the same time, the affected person might not enjoy being referred to by their disability.

    I’m honestly not sure what the best solution is. Certainly, “red sweater” is less likely to cause offense than “black dude,” and 99% of the time these won’t be customer facing. I’m torn on whether the mistake was purely in writing it in the wrong location vs. whether the company as a whole should do better.

    I know in the corporate world you typically don’t write down anything you don’t want read back to you later, and the fact that they realize the patron could be offended suggests that maybe they should adopt a similar policy of “never write down anything you wouldn’t want a customer to see.” At the same time, I’m aware most restaurants are not corporate culture and aren’t trying to be.