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Joined 1 year ago
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Cake day: August 22nd, 2023

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  • I’m sure that’s how you see yourself in your mind. The rest of us read your posts that are definitely not just about historical artifacts and frankly smell of the white moderate concern of not having regular life disrupted by annoying activists. Your examples of valid protest are violence or vandalism against specific wrongdoers, not say the regular stuff like blocking traffic or vandalizing (non-priceless) surfaces in places that are visible to a mass audience rather than comfortably protected behind fences and security checkpoints.

    This chain literally started with you responding to someone daydreaming about physically assaulting the young protesters with:

    No no, you see, it’s for THEIR cause. The beatings would be happening to raise awareness of climate change, not to support oil companies. Isn’t that the logic, here? There’s no other relevance of attempted vandalism of a painting by a man who died before climate change was even fully understood. The cause is all-important; the act just a detail to catch eyes, apparently.

    And paired with posts about how they’re only doing it for attention and an activists very symbolic public suicide by a method almost exclusively used as a protest action was probably unrelated to his activism. Yes, very much a level-headed non-disdainful simple art enjoyer who respects protest. As long as the targets deserve it and no one cares.



  • If they had the guy whose job it was to figure out how to protect paintings say he didn’t do a very good job and the painting wasn’t protected, they would have said that. Instead they just used the generic “staff”, a descriptor which encompasses anyone from the ticket takers to the people who solicit donations from the rich and powerful who both have no special expertise in the protection systems and a very good reason to both want to discourage further direct action in their establishment and tell the rich people they’re on their side.

    You cannot realistically protect a painting from its frame.

    LOL, what? I have a print in my room right now with glass between the art and its frame. And that’s not even a publicly accessible priceless piece of art that’s undergone past attacks. The external frame has no reason to actually touch the artwork.




  • You’ll notice how the only thing they can cite is “worry” by “staff” with no qualification for whether the worry was realistic. People worry about a lot of things and are willing to claim they worry about much more when it suits them. “I feared for my life” doesn’t actually mean your life was in danger.

    They’re not mentioning “worries” of the people who actual design the protection, because those people either don’t worry or should find a different job. A liquid leaking through to damage the painting is literally the purpose of the protection. Especially after such high profile events starting years ago, including literally this same painting.