It’s not supposed to do anything. It is literally a “tap” on the screen.

I suppose if you’ve got a self-destructive streak a mile wild, better to at least burn out doing something impressive.

Yeah, the article mentions her day begins with a 3am alarm, a quick breakfast, and the taping up of blisters.

Cool accomplishment, but it can’t have been healthy.

I’d like to thank this thread for reminding me to check out some new music. Just today, I have discovered MJ Lenderman and Still House Plants who both seem to be doing some cool stuff that’s right up my alley. There’s a new Mogwai track released a few days back and Sumac just released an amazing sludge metal album, even though I’m not really into sludge, it might convert me. A quick few image searches shows me that none of them are particularly attractive. Music has always been, and always will be awesome regardless of the physical appeal of the lead singers.

That’s encouraging. Wind Waker might be my favorite.

Grainstorm

It’s a ridiculously versatile granular sampler synthesizer. Obviously not for everyone, but it’s super fun to just make weird soundscapes with. Even with just your phone mic.

Hmm. That doesn’t sound particularly enjoyable. I haven’t played a Zelda game since Skyward Sword, and that one really rubbed me the wrong way. Formulaic and dull. I suppose that’s why the next entry made such drastic changes. I might just emulate BotW someday to see what all the fuss is about.

I’ve got it up and running in Yuzu with prod.keys 18.0. At least I watched the opening cinematic. Not that interested in playing. Just seeing if it was true.

LOL at people worried about spoilers for a Zelda game.

Because, like many, you can’t remember the name of that game, but just about everyone knows about Palworld.

I generally hate racing games. The one I do remember playing a lot was 1990’s Stunts. It was an early polygonal game. You could make your own tracks. It’s was pretty ahead of its time.

I too choose this guy’s dead wife.

마자

The taste is OK, but they will shred your mouth.

Oh definitely. It wasn’t that long ago there were some pretty hard times here. The older generation remembers.

This is Korea. For whatever reason every single animal they consume that has unpleasant bits inside, they leave em in. Bony fish, bony chicken, grisly pork, soup full of shelled shellfish, and shrimp with tails. Hell, frequently entire shrimp head and all. Also locally where I live they have these different shrimp that have I dunno extra tough and sharp carapace. They don’t even try to shuck those things.

I have an XBox 360 controller lying around that still works great. I have a couple DS4s that still work great even though the rubber started coming off the analog sticks. The one Dualsense I bought crapped out after a single year of moderate use.

The best I can figure is that the 4M$20 track was popular on a streaming service that pays better, and vice versa for whatever reason.

That’s more than $45!

I got free beer at a show once 20+ years ago, too.

I pay Distrokid ~$20 a year to distribute my music to a lot of streaming services, but I do not pay individual streaming services. I never really expected much return. I wasn’t disappointed! Haha!

Maybe some kind of increasing scale for revenue depending on larger numbers of listens.

My break down by track is pretty inconsistent, too. I’ve got a single track with over a million listen that made me 36 cents. My most popular track has over 4M listens, and it’s responsible for half that $45. Distrokid doesn’t say which streaming service that revenue comes from, either. Some pay more than others, I imagine.