One thing I really like about Lemmys small size is how posts can remain relevant for some time. It’s very laid back for a social media. You can have discussions that last for days on Lemmy, and there’s no need to constantly update or FOMO if you don’t check in for awhile.

Reddit is far too busy. There’s just a constant sea of noise. It’s practically pure luck if a post gets noticed, and if you don’t comment early then you comment is basically lost. For the most part content on reddit loses all relivence within 12-24 hours, and having any real place within the community requires constant engagement.

Dread it. Run from it. Witcher 4 with playable CIri still arrives.

Paramount did Halo but yeah. I think a key difference here is that there is actually passion and care for the source material on the production team rather then a bunch of Nepo hires trying to do their own thing with an IP they have been forced to work with and don’t really care for.

Idk, I know a pianist and his house is just filled with boxes and boxes of sheets music!

In this case like this I feel like anon just has shitty friends and needed to find a group he fits in better with. If you’re awkward and weird, you’ve just got to find the awkward and weird kids to be friends with (anime club, theater, ect) there’s even awkward and weird girls there!

Looks don’t even matter that much in dating (unless you’ve got porn brainrot). So long as you’re not deformed or super obese, someone will be attracted to you, and chances are you’ll find them attractive too. Just don’t be a creep and have interest outside of video games and modern dating is pretty easy.

And Cyberpunk

One RPG that does a really great job of circumventing this is Morrowind. Early in the story there are several natural breaks where the PC is encouraged to do side quests and immurse themselves in the world. Once the main quest gets going it starts to take precedence, but the world ending threat builds slowly at first.

Disappointed that Marina Sirtis wouldn’t interview, though I kind of get why. Her role as a woman on Trek is certainly one of the more… complicated ones.

There’s no way Musk “works” 100 hours a week. How do you think he’s found all this time to spend with his new bestie Donald? By all accounts the guy spends a significant amount of his time playing video games and on Twitter. His “work” is lunch meetings and zoom calls with the board where he just spitballs a bunch of nonsense.

Bingo. American industry, British intelligence, and Russian Blood won the war in Europe. It was always a combined effort, and anyone claiming one power could have won alone is talking nonsense.

With American supplies, the USSR might have been able to defeat Germany without the Allies sending ground forces into Europe. However, there’s no way the Red Army could have defeated both Germany and Japan alone. The United States was the major force in the Pacific theater.

I’m going to be the nerd who talks about how difficult it is for modern, post-Industrial Revolution humans to truly understand how medieval peasants lived. Really, this applies to how ancient and medieval people of all walks of life lived, but for now, let’s stick to the topic of this meme. Is it entirely relevant to this post? Eh, probably not, but I’m bored at work and in the mood to ramble.

That meme about how peasants had so many more days off than modern workers? Those “days off” were simply the days when their labor wasn’t solely for the benefit of their lord. The days they “worked” were the ones spent fulfilling their feudal obligations—working their lord’s fields to stock the larders and granaries of the nobility and clergy. The rest of the year was when peasants worked to sustain their own communities.

Make no mistake: a peasant’s life was one of constant toil. For a medieval peasant, there was no sharp distinction between work and home life like we have today. There were no modern conveniences either—everything required labor. When fields didn’t need to be tended, and livestock didn’t require care, that was the time for milling grain, baking bread, brewing ale, weaving cloth, etc. God, crafting and maintaining your clothes took so much work, not to mention repairing and upkeeping your cottage.

Granted, these duties were often divided among family and community members. Unless you were a hermit living alone in the woods, no one was expected to do it all themselves. One of the “nicer” aspects of medieval peasant life was the close bonds within families and communities. People provided for one another. Children and the elderly, while still expected to work, had lighter duties. Bartering and trading goods or services with neighbors was also common.

That said, I don’t want to romanticize their lives too much. Here are some of the harsher realities:

1. If you were a man, you could be levied into your lord’s army at any time. This meant marching far from home, and risking death in battle. You really, really do not want to find yourself on the losing side of a medieval battle, something completely out of your control as a levied peasant. You also had to provide your own equipment. If you were relatively well-off, this might mean a spear, a shield, and padded armor. If not, you’d bring whatever you had—likely a farm tool. Refusing or deserting would leave you an outlaw, and if you were caught you would be flogged and possibly hanged.

2. If you weren’t called to war (because you were a woman, a child too young to fight, or too old or infirm), you lived in constant fear of armies rampaging through your village. They could destroy your home, steal your valuables, and rape and murder you, regardless of age or gender. With your lord’s army far away (or defeated), you’d be left to defend yourself, and running was your best option.

3. Medical care was rudimentary. Alcohol was the primary painkiller, and while there were herbal remedies, their effectiveness was often questionable. Nearly every illness or injury carried the risk of an agonizing death. Infections were almost always fatal. Childbirth was a leading cause of death for women, and as people aged, they faced constant pain with little relief.

Medieval peasants lived lives that, by our standards, were horrific: often short, brutal, and full of hardship. They were at the mercy of powers far beyond their control—victims of the whims of history. Yet ignorance truly was bliss. They knew no other way of life. If they were blessed with good times, free of war, famine, or plague, many peasants could lead fulfilling lives, and some, may have even considered themselves happy.

Okay I’m ootl on this asshat but now I keep hearing his name. Who the fuck is he and what the fuck is his problem?

America’s saving grace may in fact be that the fascists are too stupid and lazy to do the work required to dismantle the federal government and cause mass human suffering.

Reposting my comment from another thread because I’m interested in spurring discussion.

Imo Bethesda is, in many ways, a victim of its own success. Morrowind and Oblivion were both solid entries that did well critically and financially, but no one was prepared for the massive impact of Skyrim. Its success transformed open-world fantasy games into a staple of AAA gaming, and the game has stayed relevant for over a decade.

However, even when it was first released, Skyrim fell short in several areas that were often overlooked due to the sheer “wow” factor of its open world. The game is plagued by bugs, many of which are game-breaking and persist even in recent re-releases. The AI is brain-dead, melee combat is clunky, and the quest design and writing often lack depth.

In the years since, the landscape of gaming has evolved. Numerous fantasy and open-world games have improved upon things that Skyrim did well, and raised the bar for what players expect from many areas where Skyrim fell short. Players today have a wealth of games to choose from and are less forgiving of these types of flaws. Starfield’s lukewarm reception reflects Bethesda’s seeming unwillingness—or inability—to update its design philosophy for a modern audience.

The expectations for The Elder Scrolls VI have become impossible for Bethesda to meet. These expectations are sky-high not only among fans but also from Bethesda’s new parent company, Microsoft. TES6 will almost certainly be a financial success, but Microsoft didn’t acquire Bethesda for just “decent” results like Starfield; they acquired the creators of Skyrim to make blockbuster hits that dominate the charts and win critical acclaim.

In the end, Bethesda knows they will never recapture the lightning-in-a-bottle success of Skyrim. So they’ll keep sitting on the IP, until Microsoft forces them to release something mediocre, and their studio joins many of the other classic RPG developers in obscurity

I mean it’s not really a hot take since it’s been the consensus among long-time TES fans since 2006. Shivering Isles is the only good lore/story contribution TES has had without Kirkbrides involvement, and even that was basically just trying to Mantle his style from Morrowind.

I have not but I’ll have to check it out. William Shatner and Leonard Nimoy being time travellers from the future would certainly be a twist!

This is an idea I ran by a fellow Trekkie awhile ago. An “Ed Wood” like movie about the behind the scenes of TOS. Satirize it from a place of love, focus on the drama between the cast and the antagonism between the studio and Gene. Quality movie material!

Bethesda is, in many ways, a victim of its own success. Morrowind and Oblivion were both solid entries that did well critically and financially, but no one was prepared for the massive impact of Skyrim. Its success transformed open-world fantasy games into a staple of AAA gaming, and the game has stayed relevant for over a decade.

However, even when it was first released, Skyrim fell short in several areas that were often overlooked due to the sheer “wow” factor of its open world. The game is plagued by bugs, many of which are game-breaking and persist even in recent re-releases. The AI is brain-dead, melee combat is clunky, and the quest design and writing often lack depth.

In the years since, the landscape of gaming has evolved. Numerous fantasy and open-world games have improved upon things that Skyrim did well, and raised the bar for what players expect from many areas where Skyrim fell short. Players today have a wealth of games to choose from and are less forgiving of these types of flaws. Starfield’s lukewarm reception reflects Bethesda’s seeming unwillingness—or inability—to update its design philosophy for a modern audience.

The expectations for The Elder Scrolls VI have become impossible to meet. These expectations are sky-high not only among fans but also from Bethesda’s new parent company, Microsoft. TES6 will almost certainly be a financial success, but Microsoft didn’t acquire Bethesda for just “decent” results like Starfield; they acquired the creators of Skyrim to make blockbuster hits that dominate the charts and win critical acclaim.

In the end, Bethesda knows they will never recapture the lightning-in-a-bottle success of Skyrim. So they’ll keep sitting on the IP, until Microsoft forces them to release something mediocre, and their studio joins many of the other classic RPG developers in obscurity.

A few weeks ago a poor POC came up to me trying to convince me to vote Trump because “Trump will put money in your pocket”

I asked him what he meant by that, thinking his reasoning would be tax cuts or inflation. Alas, his reasoning was that he thought the COVID stimulus checks came from Trump’s personal wealth and that him winning the presidency again would mean we would get more.

It was when I noticed the other people around me agreeing with him that I knew we were doomed. What can man do against such reckless ignorance?